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"A Man in Full" struggles to spark interest or intensity in adapting Tom Wolfe's novel.

Exceptionally skilled individuals create a disappointment with the Netflix show "A Man in Full," which nearly lacks any signs of creative energy. Adapted from the late Tom Wolfe's novel famous for exploring the upper class in "The Bonfire of the Vanities," this drama about an Atlanta real...

Jeff Daniels stars as a businessman pushed to the edge in "A Man in Full."
Jeff Daniels stars as a businessman pushed to the edge in "A Man in Full."

"A Man in Full" struggles to spark interest or intensity in adapting Tom Wolfe's novel.

It's disheartening, considering not only a strong ensemble cast but an adaptation by well-known TV writer David E. Kelley (known for Netflix's "The Lincoln Lawyer" and HBO's "Big Little Lies") and directors Regina King and "The West Wing" creator Thomas Schlamme.

If only they had toned down the Southern air a bit. Adopting a thick accent at times like Foghorn Leghorn, Jeff Daniels portrays the free-spirited Charlie Croker, introduced in a lavish birthday party for himself with a performance by none other than Shania Twain.

Surprisingly, Croker is soon confronted by a determined and antagonistic banker (Bill Camp) along with an associate ("Ozark's" Tom Pelphrey) who carries some deep-seated resentment towards him. The bankers inform Croker that they plan on calling in his loans, putting him in danger of bankruptcy and financial ruin.

This prompts a series of jabs and counterpunches that escalate to include Croker's ex-wife (Diane Lane, coming off her role in "Feud: Capote vs. the Swans"), her friend (Lucy Liu), and a nesting doll of interconnected political and business interests where each layer is more scandalous and corrupt than the last.

In a seemingly different series altogether, a side plot focuses on the husband of one of Croker's employees, Conrad (Jon Michael Hill), who ends up in jail after a run-in with an abusive police officer. Additionally, Croker's lawyer (Aml Ameen) tries to aid him.

"A Man in Full" doesn't lack in drama, but the six-episode first season seems overly elaborate, calling to mind the soap operas of the 1970s and '80s and ungracefully combined with a contemporary spin on race and the justice system.

Kelley has been quite productive with recent literary adaptations – including a forthcoming take on Scott Turow's "Presumed Innocent" – benefiting from the demand for famous titles and reputable talent in the streaming era.

While "A Man in Full" may be more palatable than the infamous 1990 film version of "Bonfire of the Vanities," it's still a letdown – a time investment, in financial terms, that doesn't quite earn its return.

"A Man in Full" premieres May 2 on Netflix.

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Despite the promising elements, the adaptation of "A Man in Full" falls short in delivering the expected intensity and engagement. The entertainment value could have been elevated with a less exaggerated portrayal of the Southern accent.

The series offers a blend of drama and contemporary social issues, featuring a captivating ensemble cast and notable directors, making it an interesting choice for entertainment night.

Source: edition.cnn.com

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