Skip to content

Frescoes with Marx and Lenin uncovered in the town hall

Designed and painted on the occasion of the 20th anniversary of the GDR, wallpapered over twice after reunification - and now they can be seen again in Neubrandenburg: two frescoes on the theme of the working class.

Neubrandenburg's mayor Silvio Witt (l, non-party) and artist Wolfram Schubert. Photo.aussiedlerbote.de
Neubrandenburg's mayor Silvio Witt (l, non-party) and artist Wolfram Schubert. Photo.aussiedlerbote.de

GDR - Frescoes with Marx and Lenin uncovered in the town hall

Two wall frescoes by the painter and graphic artist Wolfram Schubert that were wallpapered over in Neubrandenburg's town hall over 30 years ago are once again visible in full size. The works, each 1.7 meters high and 6.5 meters wide, were created in 1968/1969 under the title "Struggle and Victory of the Working Class" and were covered with two layers of wallpaper in 1991, each of which was painted white. "Fortunately, the frescoes were not destroyed," said city spokesman Jan Ole Kiel.

The artist Wolfram Schubert (97) himself and Neubrandenburg's mayor Silvio Witt (non-party) also took part in the viewing of the frescoes in the entrance foyer on Tuesday. Schubert was born in 1926 in the Brandenburg village of Körbitz and studied at the Weißensee School of Art in Berlin. From 1965 to 1988, he was chairman of the Neubrandenburg district board of the Association of Visual Artists of the GDR.

He painted the two frescoes using a special technique directly onto the damp plaster of the walls of today's town hall, where the SED district leadership and the Neubrandenburg district council sat during the GDR era. Karl Marx and Lenin can also be seen in the frescoes. The occasion for the artwork was the 20th anniversary of the GDR (1969).

The uncovering of the frescoes was the subject of controversial debate in Neubrandenburg's town council. However, on February 2 of this year, the local parliament decided to uncover and restore the frescoes.

The city also sees the works of art as a monument. They are an authentic testimony to "how an important administrative building in the former GDR was artistically decorated at the end of the 1960s for the purpose of presenting the political legitimacy of SED rule", according to the text accompanying the frescoes.

Read also:

Source: www.stern.de

Comments

Latest